Showing posts with label Vox Jaguars. Show all posts
Showing posts with label Vox Jaguars. Show all posts

Monday, June 22, 2009

Halloween $ong for the San Francisco Girls

On Halloween I went with the Vox Jaguars to the Halloween festival in San Francisco where they played with such notables as Cathy Richardson with Big Brother and the Holding Company, and the Jimi Hendrix Tribute. This is some of the video and a handful of photos from that show.

Thursday, April 9, 2009

The Vox Jaguars in Videos

Here's a couple of Vox Jaguars videos to enjoy. The first is a short documentary by L.A. Solano that features interviews with the band. The second is a collection of video excerpts from several different venues the band has played over the past few years, set to an old version of TVJ's hit song, SWAGGER.



Wednesday, March 4, 2009

To Be Frank - Zappa Plays Zappa in Surf City

I was so excited when I heard that the Zappa Plays Zappa show was coming to Santa Cruz, and to my favorite theater to boot... a hop, skip and a jump away at the Rio.

I've been listening to Zappa since sixth grade, and have become a bit of a connoisseur of his compositions... most* of which are quite brilliant. As a premordial Zappa fan, who could be more excited to experience an evening of live Zappa music performed by the late Mr. Zappa's own son, Dweezil, and a host of Frank Zappa alumni?

Imagine my horror when I consulted the Rio website and read the following:


Tickets:
V.I.P. $96.00 Reserved $ 55.50 additional fees may and most likely will apply.

WTF?**

OK, lets look at this rationally, in 1977, I saw Frank Zappa, THE Frank Zappa, NOT his son... THE Frank Zappa - for six dollars and fifty cents ($6.50). When you include those additional fees, this show ends up costing more than fifteen times more than the cost of seeing the bona-fide Frank Zappa. The reserved seating price isn't that much better, costing nine times what I paid in '77. What is wrong with this picture? Is Dweezil Zappa worth a hundred bucks? I think not. There are very few entertainers I would pay over fifty bucks to see. Actually none. I'm sure Dweezil is a nice enough fellow... He can't be too bad if Mr. Nice-Guy, Donny Osmond, hangs out with him. But, I have principles, and refuse to pay such a high cost to see the son of someone. I recently saw the Residents for twenty-five bucks, ($25)... THE Residents, NOT the son of a Resident, and it cost 75% less than this Zappa Play$ Zappa $how co$t$.

Across the street from the Rio Theater, is the Crepe Place, where on March 11th the Vox Jaguars will rock the house for only eight bucks ($8.00), and I know it will be as good if not better than the pricey show on the other side of Soquel Avenue tonight.

Viva le Crepe Place!


* Too often Mr. Zappa crossed over the line into tasteless potty humor, which is OK when you're in 6th grade, but... come on Frank, grow up already. Or as some would say, "Shut up and play your guitar".

** What The Frank?

Monday, February 16, 2009

RHETRO TV-Z


Introducing RHETRO TV-Z
(pronounced: retro tee vee stroke zed)

A nifty and safe alternative to your mainstream Televalium.

RHETRO TV-Z has half as many harmful side effects, and twice the color as most national brands. That means big savings for you and your familia.

Give yourself a hand,
and tune in, turn on,
but don't cop out by dropping out
.


WATCH it HERE
FREE

Tuesday, February 10, 2009

The Vox Jaguars CD Release: A Review

After months of anticipation, the new Vox Jaguars' self-titled CD has been released on Anodyne Records. In mid-January, I received a special edition*(1) advanced copy of the Vox Jaguars to review, and now that I've heard it more than a dozen times, I feel that I'm prepared to comment on one of this year's best records.

I've been paying attention
to the Vox Jaguars since I happened upon one of their live shows at Cafe Pergolesi in Santa Cruz, California about three years ago. What surprised me most about the show was that the audience, (and there seemed to be about a hundred of them crammed into the small room), knew the songs and sang along as if they were part of the band. I thought of the Cavern in Liverpool and the energy and comradary that must have existed there among early Beatle fans. It isn't every day that I see an audience so enthralled with a band, and that night, the patrons at Pergles were at one with the Vox Jaguars.

It wasn't long til the Vox Jaguars recorded a demo*(2) CD at the home studio of a friend. The exceptionally well recorded demo featured four completed tracks exhibiting plenty of musical variety and skill. The demo received quite a bit of notoriety and it seemed only natural when the Vox Jaguars' popular song, Swagger,*(3) was featured on the major prime time FOX Television program, Canturbury's Law. Producers of the show had stumbled upon the song on the Vox Jaguars' My Space page, and negotiated its use on the show.

Now, The Vox Jaguars have released their first CD, and it is sure to be popular among the indie generation in general, and spread in popularity to a broader audience in the years to come.

Beyond their darling and daring youthfulness, what makes The Vox Jaguars interesting, is the precision and power with which they play their upbeat clever and catchy songs. Smarter than punk, but not too technical for the uninitiated ear, this band has successfully drawn upon a long eclectic history of music to come up with a sound uniquely their own.

Something that can't go unnoticed at a live Vox Jaguars performance, is the display of teamwork between their powerful percussionist and bassist who keep the band timely and intriguing. Trevor Hope is truly an incredible drummer who's intricate percussion is perfectly augmented by master bassist, Mason Rosenberg. The two sound as though they've been playing together forever. This foundational
backbone establishes a powerful template for high school student Jordan Topf to present his songs about teen struggle, and modern dilemma. I find it surprising that this CD exhibits a subtle LA nuance. I keep expecting Jim Morrison to belt out something ridiculous... that notion amuses me.

The current line up of the Vox Jaguars includes
newest member, Noah Bond on lead guitar*(4) and voices, Jordan Topf on guitar*(5) and voices, Trevor Hope on drums, and Mason Rosenberg on bass.*(6) The lineup on the new CD features former band member Sam Copperman on keyboards. Sam recently left the band to attend to his higher education. The Vox Jaguars have not replaced him with another keyboardist, and don't plan to any time soon. Rather, they picked up high school senior Noah Bond to play guitar, and he is working out wonderfully. Noah plays like a pro and provides the ensemble with a rich round sound. A favorable addition to an already great band. There is still room for keyboards in my opinion.

I like the new self-titled release by the Vox Jaguars very much, and will surely play it on my hi-fi many more times. I think four clever boys could have come up with a more suitable title for this release however. If I had been given the opportunity to name the new Vox Jaguars CD, I would have turned their name into an anagram, such as, Jug Has a Vortex, or called it something controversial and relevant like, Obama's War Now, but I'm just an old punk who still likes to ruffle feathers. It's like eating peanuts...


The Vox Jaguars, on Anodyne Records.

*(1) My special edition copy of
The Vox Jaguars arrived in a standard hard plastic case, however a more environmentally-friendly paper-box version is currently available on line and in fine stores everywhere.

What makes this special packaging unique, is the inclusion of a segment of broken guitar string from one of the instruments played by the Vox Jaguars.

The guitar string is clearly visible through the usually empty plastic window on the left-edge of the CD case. I love it when this space is used for something other than nothing at all.








*(2) The Vox Jaguars Demo CD titled, Good as Gone, rivals the new release, and in some ways is preferable to it. The songs on Good as Gone are recorded so well that they could have been included on the new release as bonus tracks. I hope Good as Gone will one day be
made available again. My copy is worn out.

*(3) A new version of Swagger is the only song from the demo that has made it's way onto the new CD. Not even Metropolis, the most beloved of all the Vox Jaguars songs, appears on this new release. I should also note that the Canterbury's Law season one
DVD, (featuring Swagger), will be released on February 24th, 2009. If we're lucky, they'll also release a Canterbury's Law soundtrack and include the original version of Swagger.

*(4) Noah plays a Gibson Les Paul and Fender Stratocaster

*(5) Not surprisingly, Jordan plays a Fender Jaguar

*(6) Mason usually plays an Ibanez Roadstar but lately has been seen with a Specter*(7) at some of their shows. Most of the tracks on the new CD
sound as if a different bass was being played.

*(7) I've noticed that Mason usually plays his Specter in his other soon to be famous band, A Quantum Visionary, who take musical intricacy and variety to new heights.

JUG HAS A VORTEX

Saturday, February 7, 2009

Festival For Freedom: The Rhetro Review

Last night I attended the Festival For Freedom at the University of San Francisco. It was a charity event sponsored by the Erasmus Community at the University who raised many hundreds of dollars to fight modern slavery.

The festival featured nine different SF Bay-Area acts who played to a large hall full of college kids who all seemed to have a good time. The show was supposed to begin at 5:30, but the first band, Man
/Miracle, took a long time to set up, and then overplayed their allotted twenty minute segment which threw the event further off schedule. It was fun to watch Man/Miracle play their brand of poppy indie rock even though they overplayed their welcome. I especially enjoyed their cool vocal effects.
Man/Miracle, the first of nine bay-area bands to play at the Festival for Freedom at the Univesity of San Francisco Friday night

A Quantum Visionary, the second band, gets the award for most efficient ensemble. These guys from Santa Cruz had all their equipment set up in less than five minutes, and played for precisely twenty minutes. This band's efficiency and precision is reflected in their highly technical music which is difficult to describe because one song may include metal, funk and progressive elements. A far cry from a garage band. I was shooting some really good video of AQV when, 51 seconds into the first song, someone turned off the lights, making it impossible to continue filming.

A Quantum Visionary efficiently setting up their equipment

Following A Quantum Visionary, another Santa Cruz band, Depth Charge Revolt, played an impressive set of hard-hitting technical-punk. DCR featured two drummers who played tight and powerful rhythms. Their bassist boomed big and the guitar shredded magnificently while their vocalist hollered and howled as he paced back and forth between contortions. Next time they're playing in Santa Cruz, I'll be there.
Depth Charge Revolt doing what they do best

Another band worth mentioning was U of SF's own, Ghost Town Refugees, who had the most interesting visuals of all the bands. On their home turf, GTR stood silhouetted against the visual images being projected on the wall behind them. They get extra credit for their inclusion of an atomic detonation.

Ghost Town Refugees making the most of their home court advantage

Next, the Vox Jaguars took the stage to play a rousing set of songs. No wonder these Santa Cruz boys have been signed by Anodyne Records. They played like pros, and really got the crowd on their feet and moving. Their first CD will be released on Tuesday, February 10th, but they had a few copies on hand to sell at the festival.

A Quantum Visionary's master bassist, Mason Rosenberg, also lends his skills to The Vox Jaguars

The Vox Jaguars

The Vox Jaguars' Jordan Topf showing off the new Vox Jaguars CD to Depth Charge Revolt's Hector Lee Heaviside
The self-titled CD was available for the first time at the Festival For Freedom in San Francisco

Wednesday, February 4, 2009

Flower Punks of the Festival For Fredom

The following article was published earlier today in the San Francisco Bay Guardian Online. I was going to write about the festival, but Mr. Andre Torrez appears to have beaten me to it. There isn't much to add to his article other than, (if I'm not mistaken), Santa Cruz' A Quantum Visionary, will unveil their new keyboardist at this show. AQV keeps getting better and better and more interesting every time I see them. They have been compared to Yes, but that would be an unfair comparison... not to Yes, but to AQV who's style and range exceeds that of the classic prog band. AQV is an eclectic collage of all things progressive, and influences like ELP, King Crimson, Yes, and even Coheed and Cambria can be detected in their epic songs all of which last over six minutes, and never become boring. AQV is a side project of the Vox Jaguars master bassist, Mason Rosenberg who will make an appearance with both bands at the Festival for Freedom. I have also received information that the other band I was looking forward to seeing, Mountain Animal Hospital, may not play due to a bicycle accident suffered by guitarist Chris Holcomb who is still recovering from the January 12th incident.

-<>-<>-<>-<>-<>-<>-<>-



An interwoven clan of West Coast outfits with garage rock tendencies and psychedelic leanings

It doesn't take six degrees of separation to link the new breed of local bands performing at the University of San Francisco's Festival for Freedom benefit show. They're an interwoven clan of West Coast outfits with garage rock tendencies and psychedelic leanings. And they're just about all in each other's MySpace top eight. If I had to label, I'd consider the term "flower punks" for 'em. I mean, c'mon, San Francisco has a huge Haight-Ashbury legacy to live up to. So, in the spirit of hippiedom and smiling on your brother, the undergrads from the university's Erasmus Community has decided to take on the cause of fighting modern-day slavery and is planning an immersion trip to Uganda and Rwanda, where they will focus their efforts on rehabilitating child soldiers.

This benefit show for that trip is a culmination of the group's efforts in social justice awareness and activism, combined with a dose of peacenik-punk rock. Taking the stage on campus: Ty Segall, Man/Miracle, and a very Birthday Party-era Nick Cave sounding Depth Charge Revolt, among others. The bands will bring the noise, so you should bring your bucks to help support this worthwhile cause for the marginalized children of Uganda.

FESTIVAL FOR FREEDOM: USF BENEFIT FOR THE REHABILITATION OF UGANDAN CHILD SOLDIERS With A Quantum Visionary, Depth Charge Revolt, Travis Hayes, Ghosttown Refugees, the Vox Jaguars, James Rabbit, Ty Segall, and Man/Miracle. Fri/6, 6:30 p.m., $5–$8. McClaren 250, Phelan Building, University of San Francisco campus, SF. (831) 588-3537

BY ANDRE TORREZ

Saturday, January 17, 2009

SLC PuNk Meets the MeaT puPpeTs

In the early eighties, PuNk rock was still a fairly new phenomenon and hadn't yet sold out, (or bought in), to the corporate machine that seems to condemn everything it touches to some kind of entropic doom. According to many, that's what happened to PuNk the following August.*

I don't know how the Indian Center came to be the primary venue for the early bands in Salt Lake City, but I can't imagine a better place for raucous mosh-pits to slam to the sound of the new genre. The old brick building on 1300 South had large windows
open wide, allowing fresh air to relieve the hot and sweaty moshers. The 60' x 80' theater could accommodate a substantial gathering too. The Indian Center was mainly used by the Native American community, however on occasion, a different kind of Mohawk touting tribe made use of the social center. SLC PuNks!

I had already heard lots of Black Flag before Henry Rollins joined the noisy ensemble. Jon and I wondered skeptically about Rollins addition to the band; we had seen first-hand what Steve Perry had done to Journey, plus, we could see the direction the new PuNk music was heading and it didn't look good.

Even though it was April, the weather was unseasonably cold and had even snowed. We arrived early at the Indian Center because we didn't want to miss any of the bands.
We had paid seven bucks each for the fancy yellow-green transparent tickets and wanted to make sure that we got our money's worth, (unlike my own kids, I had to work to for my money when I was their age).

There were already a couple hundred kids there. A far cry from the old days when a handful of
PuNks would show up with self mutilated hair. Now there were lots of short hairs and bald hairs running around with home-made t shirts and lots of black leather jackets. Those without the courage to cut their hair, had it PuNked up with lots of hairspray or some kind of goo. It was easy to spot the poseurs. Jon and I both still had long hair. Neither of us were into fads, and figured it was more PuNk to be different from all the conformist PuNks. We kind of stuck out and could only see two other guys with long hair in the entire Indian Center. One of them was sitting against the wall watching everyone nervously. I got the feeling that he was probably with one of the bands. Maybe even the new Black Flag guy. I was right. There he was, casually leaning against the cool brick wall, the very un-famous and young (nearly baby-faced) Henry Rollins on one of his first tours with Black Flag. I hope he had fun in SLC. I'm sure he was surprised that there were so many PuNks behind the Zion curtain.

Act One
Snot and Snowballs


The first band nearly caused a riot. Nig-Heist came out wearing only little white briefs. They seemed more interested in antagonizing the crowd than playing music. Their hair was long and flowing, like Ted Nugent wore his at the time, and that didn't go over well with the P
uNks who began spitting big lougies at the nearly naked musicians. Oddly, the band seemed to enjoy the attention. The snot was getting out of control when a large snowball just missed the drummer's head and smashed into the wall behind the band. Jon doesn't usually miss. It was cold and snowy outside, but everyone inside was sweating from the mass of people crowded together moshing chaotically. We were covered with sweat, while the band, covered with snot, played on. More snowballs began to fly in through the large open windows on the east side of the building. Rage!

Act Two
The Massacre Guys


One of Salt Lake's local and most successful old-school PuNk bands, the Massacre Guys, played next. Jon and I had been outside cooling off, but when the MG's began to play, we gathered an arsenal of snowballs which we carried inside and distributed without prejudice. The most fun ever mosh pit ensued.

Act Three
Pinochio Wants to be a Real Boy


The Meat Puppets brought some sanity back to the Indian Center. The snot supply had dried up, and no more snowballs were directed at the stage, but the floor had become slippery from a combination of snow, snot and spilled drinks, resulting in many fallen and trampled moshers. Ouch! I went to the restroom to take a leak. As I washed my hands, I realized that there was no mirror, but could see that one had previously hung on the wall above the sink. Out of the corner of my face, I noticed a Native American guy standing in the doorway keeping an eye on the restroom. I pulled a comb from my back pocket and combed my hair as if I was looking at myself in the nonexistent mirror. He liked that. When I returned to the dance floor, I met a girl who I spent the remainder of the Meat Puppets set with. We danced together for about a half hour by the time the Meat Puppets stopped playing. I could see that Jon was feeling dissed, so I left her there with her friends who swiftly wisped her away. As our friends ushered us off in different directions, our eyes met as she was swallowed up by the mass of people, never to be seen again. I was smart enough to know that she would be one of many girls, and that my best friend comes first. We went outside to cool down while throwing snowballs at passing cars. Thump!


Act Four
Name with no Anagram

Black Flag was fun to watch but it wasn't the Black Flag I knew. I was standing against the stage with Mr. Rollins directly in front of me. He was heavily tattooed, and incredibly sweaty. He wore no shirt, and little Dolphin shorts. His long stringy black hair draped over the shaven side of his head when it wasn't thrashing about. Squatting and screaming, he stood before me at less than arms length, and I was strongly impressed with the feeling that Henry Rollins was an egotistical jerk. I realized that if I reached out and pulled his leg out from under him, that he'd fall right on his arse in front of everyone. I amused myself with the notion, and fought off the impulse. I did pull out some hairs on his legs though. He didn't like that, and offered a bit of a sissy-kick and a glare, before retreating a half-step, out of my reach. It was the beginning of the end of an era. Black Flag - Kills
PuNk Dead!

A Quarter Century Later
PuNk is dead, but the Meat Puppets live on. Not many bands have the staying power of this trio from Arizona. I hadn't seen the Pinocchio brothers in nearly three decades, but a hat-full of hours ago, I had the opportunity to see the Meat Puppets live in my own town, in my favorite local theater. The Meat Puppets I saw all those years ago in the Indian Center appear to have become real boys... actually men now... old men. Nevertheless, the well weathered remnant of an age long gone demonstrated their craft with skill and professionalism as they presented their two-hour show at the Rio Theater in Santa Cruz. The Brothers Kirkwood expressed their kindred familiarity as they played a variety of multi-tempo songs ranging from Cashesque cowboy rythms to psychedelia. I was impressed by Curt Kirkwood's exclusive usage of an acoustic guitar throughout the show. It reminded me how versatile the acoustic guitar really is and how much fun I used to have playing mine through effect pedals to achieve unique** sounds.

The audience at the Rio Last night was much tamer and respectful than the snot hucking snowball chucking juveniles that attended the Meat Puppets show twenty eight years ago. I'm glad the Rio didn't get trashed. There was no stage diving and no mosh pit at last night's show either. In fact, there were only two moshers who gave it a go during the opening act.***



*MTV launched on August 1, 1981. About that same time, I attempted to start a
PuNk is Dead campaign, but it didn't catch on.

** One of my favorite acoustic guitar sounds was created by holding the inner wire of a broken E string with needle-nose pliers and applying tension while laying it across a pickup. The tension in the string causes the outer wire to uncoil, making a nifty whirring sound.

*** Shaky Hands from Portland Oregon played an enthusiastic set, but I was disappointed that our favorite local band, the Vox Jaguars, didn't open the show. I assumed they would since they share the same recording label with the Meat Puppets (Anodyne).

PuNk isn't what it used to be

Thursday, January 8, 2009

My iTunes Top 50 - 2008

iT's been nearly a year since I posted my first iTunes top 25 list. This year I'm expanding the list to the top 50 most played songs of 2008. My iTunes library contains about three thousand songs now, and I usually, (but not always), play iTunes on the shuffle setting, therefore the following winners are mainly the selections which the computer has chosen to play most often. And as it turns out, the computer has pretty good taste.
1 Streaming in first place with 222 plays, is KZSC Santa Cruz. This excellent local listener sponsored radio station moves up from third place with an excess of a hundred views more than the second place winner. I usually tune in to Platterpus Rising on Tuesday mornings and Here There and Everywhere Thursday mornings. Congratulations KZSC.

2 In second place, moving up from fourth place with 99 plays, is another listener sponsored radio station, WORT in Madison, Wisconsin. Thanks to streaming technology, I can keep in touch with my favorite Wisconsin city and former home.
3 In third place with 90 plays, local Santa Cruz radio station KSCO who came in first place on the previous top list. Unfortunately KSCO stopped their live stream service about half way through the year, otherwise they would have come in first place again. Sorry KSCO. You blew it! Still, third place is not bad.
###-Title-@@@-Artist-@@@-Album-&&&&-Play Count

4
Metropolis - The Vox Jaguars - Good as Gone - 87
5 Crazy Little Thing - Captain Beefheart - Spotlight Kid - 756 Brazil - Geoff Muldaur - Brazil (soundtrack) - 73
7
Frail - The Vox Jaguars - Good as Gone - 728 Send in the Clown - The Simpsons - Songs in the key of Springfield - 71
9
Dust - Adrian Belew - Dust- 7010 Totally Wired - The Fall - 50,000 Fans Can't Be Wrong - 6911 Frame by Frame - King Crimson - B'BOOM - 6712 Kaw-Liga - The Residents - Stars and Hank Forever - 65
13
Angela (Theme from Taxi) - Bob James - Man on the Moon - 6414 I Will Survive - Tony Clifton - Man on the Moon - 62
15
Click Clack - Captain Beefheart - The Spotlight Kid/Clear Spot - 61
16
On the Beach Goes the Crimson King - Adrian Belew - Dust - 60
17
Greensleeves - California Guitar Trio - A Christmas Album - 59
18
Chase - Ravi Shankar - Tana Mana - 58
19
And She Was - The Talking Heads - 12 x 12 OriginalRemix - 57
20
Coconut - Harry Nilsson - Personal Best - 56
21
The Robots - Kraftwerk - The Man Machine - 55
22
I'm So Bored with the USA - The Clash - The Clash - 54
23
KUER - Public Radio - Salt Lake City - 53
24
Sheep - Les Claypool's Frog Brigade - Live Frogs: Set 2 - 51
25
Good as Gone - The Vox Jaguars - Good as Gone - 50

26
Trigger Hippy - Morcheeba - Who Can You Trust? - 48
27
Onward - Yes - Tormato - 47
28
Marble Hearts - Master Mason - Lektron - 45
29
Number One - The Rutles - The Rutles - 44
30* KRCL - Community Radio - Salt Lake City - 43
31
Men in Helicopters - Adrian Belew - Side Three - 39
32
MTV Get Off the Air - Dead Kennedys - Frankenchrist - 38
33
Look Into the Future - Journey - Look Into the Future - 37
34
One time - Adrian Belew - Dust - 35
35
21st Century Schizoid Man - April Wine - Classic Masters - 33
36
Sinister Exaggerator - Primus - Miscellaneous Debris - 31
37
Swagger - The Vox Jaguars - Good as Gone - 30
38
Big Blue Sun - Adrian Belew - Dust - 29
39
Smithers Jones - The Jam - Setting Sons - 28
40
Level Five - King Crimson - Level Five - 27
41
Dinosaur - Adrian Belew - Side Four (Live) - 26
42
Goodbye Blue Sky - Various Artists - Back Against the Wall - 25
43
Harvest Moon - Neil Young - Harvest Moon - 24
44
Picnic in the Jungle - Snakefinger - Chewing Hides the Sound - 23
45
The Court of the Crimson King - Asia - Fantasia Live in Tokyo - 21
46
Anna - George Martin - Beatle Girls - 20
47
Fire at Midnight - Jethro Tull - Christmas Album - 19
48
Heroes - King Crimson - Heavy ConstruKtion - 18
49
Mother Nature's Son - Harry Nilsson - Harry - 17
50
Christmas is the Time - Kids of Widney High - Lets Get Busy - 15

The most represented artist on the list is Adrian Belew with three songs in the top 25 and another six in the top 50. Three of them are King Crimson pieces and feature Mr. Belew on guitar and vocals. Congrats Ade!

The second most represented act is the Vox Jaguars with a total of five positions on the list. Their song, Metropolis, comes in on the top of the
songs list in position #4, and another Vox Jaguars song, Frail, at position #7 comes in on the top ten list. They hold three positions on the top 25 list and another two positions on the top 50.
In position #28, Marble Hearts, by Vox Jaguars' Master bassist, Mason, is an electronique version of the Vox Jaguars song.

* KRCL changed their streaming address, therefore its position on the list is not representative of actual plays of this fine station streaming from the City of Salt. Otherwise, KRCL would have been in the top three. Better luck next year KRCL!

Saturday, November 1, 2008

Big Brother and the Holding Company Meets The Vox Jaguars: Zenberg Post #200


It wasn't until there were fifteen cops standing behind my open trunk that I realized that this probably wasn't the best place to bring a gas mask. There's nothing illegal, or dangerous about gas masks, but with all the hyped fear of terrorists these days, such an item, even if it was my Halloween costume, could easily be misconstrued as offensive gear for a subversive. After all, this was a huge Halloween music festival, put on by the City of Francisco, and there were enough police there to handle any situation. They were on Halloween-orange alert, so to speak. Fortunately, the Israeli- made gas mask, (my best one), was under a grocery bag, and tucked between amplifiers and other musical equipment. I casually slid it inside the grocery bag, covered it with my raincoat, set it down on the ground near one of the officers, and began unloading the musical equipment.

Big Brother and the Holding Company was already on stage playing and
watched us curiously from the stage as we unloaded the automobiles and carried the guitars, amplifiers, drums, etc. to the white tent located behind the stage. Inside the tent was an assortment of instruments and a slough of goodies for the musicians to enjoy.

The band that made Janis Joplin famous,
Big Brother and the Holding Company was one of the biggest and most popular bands in the late sixties, but their popularity faded as the sixties vaporized into the seventies. Now, there's a 21st century incarnation of the band, and they sound great.

Cathy Richardson belts out the blues better than Janis Joplin did. She's a lot more friendly on the eyes too.
The Vox Jaguars' Noah Bond and Mason Rosenberg watch Big Brother from back stage as the next act, Jimi Hendrix Tribute, prepares to take the stage.

"Freedom is just another word for nothing left to lose..."

Original Big Brother drummer, Dave Getz, demonstrates that he's still got it.


After Big Brother's set, Cathy Richardson takes time to pose with The Vox Jaguars' Jordan Topf back stage

Even though the guitarist was right handed, after watching the Jimi Hendrix Tribute play, I felt as though I had actually seen the legendary Jimi Hendrix. I have serious doubts that Mr. Hendrix himself ever played that well, though. I was truly impressed with the proficiency and imitative power of this trio. Every melodic nuance was reproduced to perfection... it looked and sounded exactly like the Jimi Hendrix Experience. They even played the Star Spangled Banner and dedicated it to all the US troups fighting in wars across the globe. I put my hand over my heart and listened to a flawless rendition of the patriotic piece/peace.
Meanwhile, back stage, inside the white tent, Mason Rosenberg and Trevor Hope play along with the band on stage to get warmed up for The Vox Jaguars' big show.


When The Vox Jaguars took the stage, it was dark, and the wind was blowing, but it was still pretty warm, for San Francisco. The band played a short set, and sounded great. Unfortunately, the wind destroyed most of the audio portion of the video that I took. By the time the band left the stage, there were a couple thousand enthusiastic people watching the show. I heard comments like, "That was great!" - "Those guys are going to go far." - "Have you ever seen a bassist play like that? Amazing!" and, etc.Click on photo to view video
The Vox Jaguars on stage Halloween Night at the AT&T Giants Baseball Parking Lot A
The Summer Of Love's Halloween Festival in San Francisco, California.